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DIGITAL MEDIA

 

DIGITAL MEDIA AWARD 2024

DIGITAL PROCESS AND ILLUSTRATIVE REPRESENTATIONS

Works created utilising digital media and digital illustrative techniques where digital media production has been fundamental to the creative process. Works can be any typology, view and style, including illustrative, digital collage, to digital mixed processes. The Digital Media Award 2024 is supported by INFiLED

 
 

 

WINNER NATHAN TIPPING-STEVENSON

WINNER NATHAN TIPPING-STEVENSON

 

LoveLand by Nathan Tipping-Stevenson on behalf of Social Designs CIC and Falmouth Food Co-Op

Winner of Digital Media Award 2024

United Kingdom

‘LoveLand Community Field - "A place to reconnect with nature and each other through work, education and play. To grow, cook and eat together". This illustration explores the needs and aspirations of the community managing a small field in Penryn, Cornwall. It is a study on how a modest, local and resilient architecture might work to enhance this love of congregation, love for the ancient ritual of 'feast' and communal love for land.

Design and visual work was carried out on behalf of Social Designs CIC - a Community Interest Company based in Cornwall, aiming to bridge the gap between architectural practice and local activism.’

Judges’ Comments

“Both a beautiful drawing and concept and something we all need more of - community. A collage of intricate stories, memories and desires woven into a collaborative narrative.”

 
 

HIGHLY COMMENDED KRISTIÁN VNUČKO & ALEXANDER TOPILIN

HIGHLY COMMENDED KRISTIÁN VNUČKO & ALEXANDER TOPILIN

 

Sensory Scene No.1 by Kristián Vnučko & Alexander Topilin

Highly Commended for Digital Media Award 2024

Czech Republic

‘Sensory Scene traces back to the architecture of the Roman thermal baths of Curinga. The structur of the new pavilion protects and exhibits the Imperial Era archaeological site complex, highlighting its original symmetrical plan of the baths with a frigidarium in its center.

This concentric structure wraps around the ruins of the Roman thermal baths and creates a mystery worth exploring. The pavilion as a whole offers all curious visitors a new perspective on the affected abandoned ruins, that stand as an evidence of advanced engineering and socio-cultural significance which might be overlooked in the rich and lush landscape of its surroundings.’

 
 

COMMENDED ALEXANDER JEONG

COMMENDED ALEXANDER JEONG

 
 
 

Three Seeds of Los Angeles | Urban Exhibition by Alexander Jeong

Commended for Digital Media Award 2024

University of Southern California, USA

‘Can cooperative housing be bold as a public image on the urban scale? Can it be intimate on a more human scale? The project takes the shape of the urban gesture and molds its formal language of turning and rotating to foster an energetic atmosphere within the project. Three main portals function as green atria, allowing for communal gardening to rotate around the formal punctures. The project utilizes narrative through representation to reshape Los Angeles' issue of food deserts through gardening spaces.

The three seeds then become urban symbols, allowing the city to see the potential of gardening and its collective energy to permeate through its urban context and become a beacon of revitalizing a vibrant and resilient neighborhood.’

 
 

COMMENDED FARINOOSH HADIAN JAZY

COMMENDED FARINOOSH HADIAN JAZY

 

Train-wind Landscape by Farinoosh Hadian Jazy

Commended for Digital Media Award 2024

Bartlett School of Architecture, UCL

‘Green spaces within our cities are becoming increasingly separated by the construction of infrastructure. To preserve the remaining vegetation in urban areas, we need to regenerate the connections between different green spaces. Through these connections, the green spaces can help each other cure and share. This project proposes to create wind connections in our cities through the landscaping and reformation of left-over portions of land adjacent to train lines. The trains create artificial wind flows which can improve the wind connection between different green spaces, encouraging the growth and spread of these spaces within our cities.’

 
 

SPECIAL MENTION CLAUDINE FANG

SPECIAL MENTION CLAUDINE FANG

 

(Re)making an Interior Architecture by Claudine Fang

Special Mention for Digital Media Award 2024

National University of Singapore

‘(Re)making an Interior Architecture speculates how a burgeoning ‘Do-It-Yourself’ culture reframes the role of repair in architecture, demonstrating how spaces occupied by Singapore’s disadvantaged society are mended to suit their needs. Shifting from the scale of object intervention to spatial configuration, warped perspectives of sections highlight the unfolding of everyday events.’

 
 

SPECIAL MENTION ÉPIGRAPHE ARCHITECTES

SPECIAL MENTION ÉPIGRAPHE ARCHITECTES

 

Une École, Un Sentier by Épigraphe Architectes; Nathan Bonneville, Pierre-Charles Gauthier, Marco Chimienti, Kevin Partyka & Jonathan Kabumbe

Special Mention for Digital Media Award 2024

Canada

‘For Épigraphe, the graphic representation of ideas and concepts have the potential to transcend the barriers of language to communicate our ambitions and visions universally. For us, the use of post realist architecture representation is not a question of stylistic preference, but is rather linked to the desire to illustrate atmospheres and social interactions that allow the viewer to imagine themselves within the proposed architecture.Through its graphic rendering, it seeks to emulate the experience of living in an inclusive architecture. The use of an axonometric drawing helps to establish an understanding of programmatic relationships while highlighting the human interactions within the created spaces.’

 
 

SPECIAL MENTION JORDI GUIJARRO CONTRERAS

SPECIAL MENTION JORDI GUIJARRO CONTRERAS

 

El Fin De La Ciudad by Jordi Guijarro Contreras

Special Mention for Digital Media Award 2024

Universidad de Alicante, Spain

‘This drawing is part of my Master's Thesis "Antigona Acelerada" (Accelerated Antigone), an architectural approach to Sophocles' Antigone reimagined in an accelerated future. Simultaneously, this work serves as an experimental encounter with end-of-the-world imaginaries by the exploration of the aesthetics and lifestyles of a fast-paced future.

The drawing depicts the first scene, "El fin de la ciudad" (The end of the city), when, after the war, Antigone finds his brother's dead body. The end of the city triggers a response from nature, a moment of divine intervention. The destruction of the accelerated city of Tebas reveals it as a set in constant decay and resurgence, a seductive disguise of reborn antiquity.’

 
 
 

The Digital Media Award 2024 is supported by INFiLED

INFiLED is a high-tech enterprise specialized in developing and manufacturing large LED video equipment. INFiLED's product application range covers advertising, transport, sports, events, command & control, corporate branding and meetings, creative applications and much more. With facilities in over 85 countries and over 180 patents, one of the highest numbers in the industry, INFiLED is striving to be a LED screen manufacturing brand to light up the world with a visual feast!

 
 

IDEAS POCKETBOOK 2024

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